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Few films in any genre can claim to be so influential. But is it the best zombie movie of all time? It can be slow, a bit dated, and is limited by its minimal budget in more ways than one.
What, then, even makes for a great zombie film? Are they determined more by great human characterization, or by the utilization of the zombies themselves? A unique setting, or great practical effects? Gore and mayhem, or wry social commentary?
Black comedy, or genuinely frightening suspense?
Each can make for valid, classic examples of zombie cinema. So without further ado: Here are the 50 greatest zombie movies of all time.
The list could easily have been longer, and we trimmed quite a few classics just to get down to Will we reach next year?
White Zombie Director: Victor Halperin Where else could we begin? Lugosi, predictably, is the one bright spot, but you had to start somewhere.
And of course, the film also inspired a certain musical project from Rob Zombie. It gets the 50 spot of honor almost solely for historical significance.
Night of the Chicken Dead Director: Lloyd Kaufman As a Troma movie, Poultrygeist: Night of the Chicken Dead promises a few staples. It will be extremely trashy.
It will be violent. It will have no boundaries and no sense of good taste.
The real question is the same one you ask with every Troma film: Watching a Troma movie is about embracing the gore, scatological humor and low-production values and simply appreciating some mindless storytelling.
Poultrygeist, as a result, is just minutes of bloody, gory, raunchy insanity.
Shock Waves Director: A New Hope—hard to believe! There have been, by my amateur count, at least 16 Nazi zombie movies since this point—certainly more than one might realize—which makes this one fairly significant at least for combining the portmanteau of great film villains first.
Films like the Dead Snow series ultimately owe it all to Shock Waves. Mulberry Street Director: And so yes, Colin does earn itself some points for originality, even though its extreme micro-budget and execution are often hindrances.
Marc Price set out to direct a zombie flick for essentially nothing inand he did so by casting it entirely from the perspective of one zombie, the titular Colin, who gets wounded by his zombie roommate before reanimating.What do you want to do when you've finished?
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